Category Archives: Emily Every Day

Trust In the Unexpected

Today’s poem is # 555, c. 1862

In the first line Emily advises, “Trust in the Unexpected.”  She goes on to explain that it was this trust that helped William Kidd find buried gold, the philosopher and his stone to discern what no one else could see.  It was trust in the unexpected that brought Columbus across the ocean where he “baptized America”.  And it was that trust that ultimately moved “Afflicted Thomas”, filled with doubt, to reach and perceive with his own hand what his rational mind would not allow—that Christ himself stood before him resurrected from the dead.

“Trust in the unexpected.”  I’m taking this personally.  There is so much that I don’t know that I don’t know.  For instance, I don’t know what lies on the other side  of this ocean of my day.  Furthermore I don’t know where lies the buried gold of my week or the summer in front of me.  I may have convinced myself that I know and let my arrogant mind leap ahead to the next hour or the next year.   This belief offers comfort.  If I know what to expect then I won’t be caught off guard.

(I wrote the above entry in my notebook this morning.  Then came back to it at the end of the day to complete the post, which continues below.)

I shared this poem with a friend today while were were picking blueberries.  She observed that the way to heal emotional trauma is to trust in the unexpected.  She meant that first you have to open your mind to the possibility of healing, which no one in the throes of painful memory wants to do or expects to do.  The way to that, she says, is simply to recognize what you don’t want.  Open space where that used to be.  And wait for that space to be filled with something you didn’t expect.  This friend (who is a therapist) believes that the mind will heal itself if given time and space and supportive awareness.  The human psyche wants to move toward wholeness.  It will move there in time if only we allow for that unexpected outcome.  It occurs to me that this process also depends on that “thing with feathers” . . . hope.  Emily, Emily everywhere.

I came home from blueberry picking, washed my hair, made basil pesto for dinner, drank a glass of wine.  Then I took Lance for a walk and something really unexpected happened.

Dusk was settling on Bayou Saint John.  The far corner of the sky had turned blood red. Lance and I walked along the water toward the Dumaine Street Bridge.  We saw a crowd of people and dogs gathered.  As we got closer, we saw a fellow sitting on the ground holding his dog’s leash taut.  On the other end of the leash was an alligator.  He guessed its size to be about three or four feet.  The guy had lassoed the alligator’s upper jaw and was holding it against the bank, while the alligator pulled against him, trying to escape back into the bayou.  Everyone was standing around watching, not knowing what to do.  Robert (the guy holding the leash) said he had asked someone to call the police, but so far New Orleans’ Finest had not showed up.

This alligator had been hanging around our bayou for some time now.  Photos had been circulating on the neighborhood association message board.  Everyone was in a tizzy (me especially) because alligators have been known to eat dogs who get too close to the water.  There was also the possibility that it would attack a child.  Lately there had been reports that our Bayou Saint John alligator had been coming onto land and nosing around in the grass before returning to the water.  I had just heard this story five minutes earlier from my neighbors Denny and Scharlette.  (Denny had named the alligator “Snappy”.)  “Oh this cannot continue,” I announced.  “Someone has to do something about this.”

When I arrived at the scene of capture, five minutes later, I told Robert that I happen to have the phone number of a guy known as “Gary-the-Trapper” who works with Louisiana Wildlife and Fisheries.  Would Robert mind holding the alligator a few minutes longer, while I tried to get hold of Gary?  “Yeah.  Hurry,” said Robert.  So I ran home and dropped off Lance, grabbed my cell phone, and found the piece of paper with Gary’s number, right there on my desk underneath the x-ray of my broken ankle.  What are the chances, huh?  Also turns out Robert, the alligator-lasso-wrangler, has some rodeo experience roping steers.  What are the chances of that?  What are the chances of any these events and people arriving in the same place and the same time as our friend Snappy?

I caught Gary as he was coming off the Causeway Bridge on his way home from vacationing in the Ozarks.  He said he’d come right away.  He also wanted to know if Robert was going to stay there with the alligator.  Gary didn’t want to make an unnecessary trip, if we were not committed to our end of this project.   I asked Robert if he would really, truly stay and hold the alligator in place until Gary could get there.  “YES!” he yelled.  His dog Ramona, a gentle giant of a Great Dane, was fascinated by this new animal.  She knelt beside Robert and rubbed her head in the grass and rolled closer to the alligator, who appeared to be sleeping.   “Mona get back!” Robert cried.  “You don’t know what you’re doing.”

I asked Robert, when he had decided to drop the leash onto the alligator’s jaw, what had been his plan.  What was he going to do with the alligator once he caught it?  “Plan?” he said.  “Um, I didn’t really have a plan.”

When Gary-the-Trapper got there, he told us that we were a bunch of idiots for standing so close to the alligator.  It was much bigger than we thought at first.  And it could easily have charged onto the bank and attacked one of us.  Robert would have been the most vulnerable.  (One woman had been leaning over the alligator and murmuring, “Poor little bunny.”)  As he wrapped duct tape around the alligator’s jaw (yet, another use for duct tape!) Gary described in baroque detail how it would have latched onto our limbs and worked its teeth, razoring back and forth, severing the tendons. “You’d have eight months of surgeries, and then lose your arm anyway.”  Gary lifted the cuff of his pants to show us the scar where a ten-footer had tried to remove his leg.  He has an artificial knee now.  “Aren’t you afraid of alligators, since then?” I asked.  Gary shrugged.  “It’s a job.”

Gary promised that he would not kill the alligator but relocate it to a Wildlife Management Area in Lake Salvador.  Someone wanted to know if this was a boy alligator or a girl alligator.  Gary flipped it over to show the pale plated armor underneath, and gave us a lesson in how to sex an alligator.  Turns out that both male and female genitalia are hidden from view on alligators.  One must find the little pocket opening on the underside of the tail at the base.  Gary pried this open, peeked inside (he looked somewhat embarrassed), quickly restored the alligator’s private parts to their secret compartment, and announced  . . . we had a girl!   

I changed the alligator’s name to Esmeralda.  Snappy isn’t right for a girl.

Esmeralda writhed in the grass.  Earlier when Robert had her on the leash, she had simply dragged her weight (about 80 pounds) against him, as though waiting for him to get bored and give up.  She seemed to know we’d be dumbfounded by her and would have no other option but to release her.  Esmeralda hadn’t counted on Gary-the-Trapper.  Now that her situation had grown grave, she fought like hell, or as well as she could with her forelimbs tied  behind her back and her jaw duct taped shut.  She was helpless and furious.  Her tail thrashed as Gary tried to measure her length.  (He patted her plump gut; she had grown fat on nutria.)  She would not cooperate with any of this intrusion.  Gary showed us where another alligator had taken off a portion of her tail.  She would have been six-feet in length were it not for this trauma.  Poor Esmeralda.  I hope she finds peace and food in Lake Salvador.

I certainly did not expect to meet an alligator when I read Emily’s poem this morning. But I trust that Emily knew everything all along.  In fact, I believe she sent me the poem and the alligator as a lesson:  Loosen the weave.  Allow.  Respond.  

There was something in the air among us as we stood on the bank of Bayou Saint John and waited with our alligator.  Before we knew how dangerous she was and how stupid we were to stand there with her, there was a definite charge in the air.  I’ll call it joy.  Exhileration.  How often do we get to see a creature such as this, here in our midst, a deep dwelling thing that lives in the murk and has come to us in our above-the-water world?  We should have been afraid.  Instead, in our innocence, we became more alive and awake.  And happy for this visit.  Why?  Because it was strange.  Unexpected.

Thank you Esmeralda, and thank you Emily.

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Another Turn In the Wheel

Today is my birthday, and Emily has given me a lovely birthday gift.  Her poem concerns each individual’s life purpose and . . . interestingly . . . reincarnation.  See what you think.

It’s a longish poem so I’ll just give you the parts that hit me the hardest.

#680, c. 1863

Each Life Converges to some Center —
Expressed — or still —
Exists in every Human Nature
A Goal —

She begins by telling us that each of us has a special purpose, a reason for manifesting into flesh.  Then she spends few more stanzas reassuring us that this goal may be too far to reach, that’s okay, it’s expected and no reason to stop pursuing the goal.  Then here’s her kicker at the end.  Emily goes for the gymnastic leap into another realm altogether at the very end.  Her dismount is always spectactular.

Ungained — it may be —by a Life’s slow Venture —
But then —
Eternity enable the endeavoring
Again.

Again.  Again, she  says.  You get to try it again after death.  So now does that mean your soul gets to continue pursuing this goal after it leaves your body?  Or does she mean that your goal may continue its existence with the next fleshy manifestation?

If you miss this train, Em says, it’s okay. There is another one coming down the track.

The poem makes me wonder what did Emily think that her  life’s goal was.  I  mean the one she didn’t reach.  Expressed or still, the goal remains.  The girl who wrote a poem every day for years, almost all her life.  If that wasn’t the center that her life had converged on, what was, I wonder.  What did our wonderfully prolific and productive poet think she was supposed to be doing but then considered that would not be hers in this life time?

This sounds to me like divine discontent.  She answers it with a suggestion that Eternity give us a chance to endeavor onward.  The ending on that single word, “Again” is a shivery promise.

I don’t know if Em considers reincarnation a possibility.  She may have meant that this goal is a spiritual perfection that is unreachable in this “Low Venture” we have on earth.  That only after death when we are finally liberated from the limitations of our physical cage, can we achieve that goal.

She could go that way.  It would be the conventional way to see this.  But I don’t want to go the conventional route here.

I can’t get away from that shivery, solitary “Again” standing there at the end.  Her solid dismount off the end of this poem lands on “Again”.  This is starting over.  Flipping back onto the wheel of life.  Each time we may or may not come closer to that goal.  What could it have been for her?  Finding the right word?  Was that it, Em?  You wrote all those poems because you had to burrow down to the right word.  Was each one a near miss?  I can see her looking at this mass of work and thinking she had only come close to her goal.  Clearly she never rested on the last poem.  Another one had to come out because the last one didn’t do it.  Didn’t come quite right to the point.

This is her existential crisis.  She produced all those words in a mania to reach an unreachable goal.  The perfect poem.

Or was it something else, Emily?  What did you want that you didn’t get?  I could guess, but I’m afraid my vision would fall short of yours.  My dear friend, I hope you taste fulfillment where ever you land again.

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Drunk on Joy

I might have to start calling this the “Emily Every Other Day” project.  Sorry, I missed a day.  Some mornings I just can’t get to it.  The morning runs away. Or the poem I choose confounds me so that my pen doesn’t want to move.  I know the page is there, humming on my hard drive, asking for my attention.

So today, you get two for the price of one because I was remiss yesterday.  Interestingly, the two poems from yesterday and today, seem linked or progressed, even though I selected each of them completely at random.

The theme for these two days is fantasy or self-deception.  For it?  Against it?  Me, I’m for it.  I think Emily is too.  Not without caution and some humor, but also a real appreciation for the benefits of dallying in Pretend Land.

The first is #981, c. 1864

As Sleigh Bells seem in summer
Or Bees, at Christmas show—
So fairy — so fictitious
The individuals do
Repealed from observation —
A Party that we knew —
More distant in an instant
Than Dawn in Timbuctoo.

Emily is playful.  I love it when she does that.  “Sleigh Bells in Summer or Bees at Christmas.”  These are absurd possibilities.  Just as absurd as her belief in a close relationship to “A Party that we knew.” Then after lightly teasing herself, she twists the knife in her own heart.  The bloody tine in the midst of the jokey play.  Not at the end.  She won’t end with that hard phrase, “More distant in an instant.”  Instead she ends with “Dawn in Timbuctoo”, which I read as light, again.  It’s the line before that gets to me.

“More distant in an Instant” is the moment of fantasy crashing into a brick wall.  Someone she believes she was close to her is, in an instant, not there.  Some rupture has occurred.  Now she calls it fiction.  She questions her own grip on what just happened.  This is the bewilderment that inevitably arises when one person shares space with another.  Each is a foreign country to the other.  The two will never share the same language or story.  Em says it must all have been a fiction.  If that bond breaks so quickly, how could it ever have been real?

She has sport with herself and this fictionalizing.  But I hear that tine of pain.  The shock!  She can’t help it.  Before the sober, sensible adult self steps in to explain things and make light jokes, first the child self has to experience the shock of pain.  Oh, I thought that was mine.  I thought that was really mine.  Where did it go?

That “more distant in an instant” is the bewildering pained space in which the believer has to rearrange her sense of what’s real.  She’ll do it because she can and because she has to.  But for that instant she is the bereft and bewildered child, in pain and longing for that delightful, counter-rational fiction.

The next poem that leaped into my hand embraces fantasy and holds it up as the thing that makes everything worthwhile.

#1118, c. 1868

Exhilaration is the Breeze
That Lifts us from the Ground
And leaves us in another place
Whose statement is not found —
Returns us not, but after time
We soberly descend
A little newer for the term
Upon Enchanted Ground —

Here Emily adds another layer to the fantasy.  That is pure joy.  It’s clear that this joy is an unreality.  But now she lands squarely in defense of La La Land, as the thing necessary for a sense of renewal.

Being joyful is like a nice two-day drunk, after which “we soberly descend.”  When we return from joy to sobriety, we do not experience a loss of joy but a chance to bring some of that drunken enlightenment forward into the rest of the grounded sober life.

We can’t stay drunk forever.  Can’t loft in those breezes indefinitely.  She’s pretty clear that “other place” won’t support us.  We must descend on our own.  Joy doesn’t kick us out.  We return on our own because we must.  But our visit to the idealized realm of joy changes us and makes us better.  Why? We get to see things when we are up in the clouds that we can’t see on the ground.  Certainly joy expands our vision.  It’s a crazy drunk sort of vision that relieves another kind of unreality brought on by a refusal of joy.

Taken as a pair, these two poems show a wonderful movement from pained self-recrimination—something along the lines of  this: “How could I be so childish as to believe something I invented?”  To a triumph of self-acceptance along the lines of this: “How could I not be so child-like!  How could I not invent reasons to run and jump for joy?!”  My ability to experience something I have invented as if it were real is my greatest gift.  It makes me better and better.

Go Emily.

I am influenced perhaps by my reading of Jack Kerouac last night.  In his list titled, “Belief and Technique for Modern Prose” he suggests to writers:  “Try never get drunk outside yr own house.”  Good advice that.

In the end, Emily and I agree that it is not always easy being the sort of person who can invent things with her mind.  Such a talent always leaves a girl vulnerable to feeling foolish.  However, the alternative is far worse.

I plan never to grow up.

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